RATW 03

Image of cover of third RATW magazine
View full issue

The 3rd issue came out December 1, 1990.

Click here to view the full issue.

This is one of my favorite issues. Not only did I score a coup getting the Mojo Nixon interview, but this issue included the “The Great North American Alternative Record Store Map”! More on both, below. 

COVER 

A cover image of a known musician that matches the interview! What a concept! A first for RATW.


Mojo Nixon!! Mojo was a big deal back then in the alternative world of rock and roll. His music was considered “a frisky down-home mixture of blues, R&B and rockabilly” (per trouserpress.com, now a website, then an alternative rock reference book that was one of my main resources for coming up with descriptions of the bands and artists in the RATW listings.) 

To be honest, I only know one song of his (“The Amazing Bigfoot Diet” – classic Mojo silliness) but he was fairly ubiquitous at the time, showing up on MTV and being regularly interviewed in prominent music magazines. So how cool that he agreed to be interviewed by my little zine!

Click here to read the interview.
LISTINGS 

Each month had more and more listings.

Except for Cocteau Twins and the Pixies, there weren’t many favorites of mine who were touring. Of course, part of the reason might have to do with something I just noticed: I forgot to include an entire page of the listings! 

The listings go from The Pixies to Tailgaters, with nothing in between! I went searching for The Screaming Trees but there are no S’s! Oops!!

Click here to see the listings.

ADVERTISING 

I was beyond delighted to get ad placement for not only one of my favorite record labels (4AD!) but for one of my favorite bands, The Pixies! It was for their new album, Bossanova. They paid for the entire inside back cover, wow! So grateful. (Of course, I didn’t really like that album… Still, the Pixies!!)
Image of a line drawing of a map of the United States and some of Canada with lists of record stores by each major city
The Great North American Alternative Record Store Map

I love this map!

Why did I produce such a thing? For the same reason I produced the magazine: because I wanted it for myself! 

When traveling in different towns, I would want to go record shopping, especially at used record stores. Back then, there was no nation-wide guide. The only resource was the local printed yellow pages – which meant one couldn’t do record store research until one got to a town. 

I remember a great trip I took into NYC in 1988 while visiting my friend Elena who was at Sarah Lawrence College. After doing appropriate research in her local yellow pages, I then went into town, hitting up record store after record store and nothing else! I got to see parts of Manhattan I wouldn’t have seen otherwise (mostly around Washington Square). And I found some great rare finds to boot! 

I used the same resource as I did when researching clubs and promotors for RATW: our local library! Home to yellow pages from every major city across the United States. 

For the record store map, picture me at the great big main library in downtown Portland, in one of the side rooms. I’m sitting on the floor surrounded by phone books. I literally went through every single phone book in the United States and Canada, searching for record stores that appeared to be independent and alternative. Where was the internet when I needed it?! 

Back then, the yellow pages were THE way for businesses to be found. Businesses could pay extra to include little ads, so it wasn’t just a boring listing. I could tell by the ad how commercial and mainstream a store was, or how independent and alternative it was. It was all an educated guess! But I think I nailed it. 

I then built my map on my trusty Apple Mac SE using the same program I did for the magazine: “Publish-It”. I chose the “straight line” look for map making (because I didn’t know how to do “Bezier curves” yet), which I think was appropriate for the hard-edged look of alternative rock! I also listed all the addresses and phone numbers in the world’s smallest font that my older eyes are not happy about. 

I included the map in the December issue of RATW, then made it available for sale separately from the magazine in subsequent issues. What a huge endeavor in such small type face! It was amazing how much information I could pack onto those pages. Of all the listings in my town of Portland, only one of the stores still exists and is going strong: Music Millennium!

Cocteau Twins! Finally a review of a band I adored! (Thank you, Jamie!). 

But other cool, nationally known bands and artists were featured as well, including Bob Mould, Sonic Youth, KRS-One… 

Interesting that I chose to include KRS-One. Not only is he not exactly alternative rock (though hip hop at that time was certainly not quite yet part of the mainstream), but this is a review of a lecture and not a live musical performance! Curious. But an interesting read, foreshadowing much of the socio-economic, racial, and political divisions we in America are experiencing now. (Thank you, Glen!) 

Click here to read the live reviews.

LETTERS & POSTCARDS 

“Long live RATW!” – Gary @ Reptile Records, Provo, UT 

“Merry Christmas! Just a quick note to say Thank You for the magazine. I love it! All you guys are doing a great job. Keep rockin’!” – Claudia P,  location unknown 

“I want to let you know that RATW is pretty fucking ace! I’ve only read the first issue, but it’s just such a cool fucking idea to publish all those tours and shit. I wish I’d thunk it up myself." – Christopher L, Bloomington, IN 

“As a touring comedian, I am on the road about forty weeks a year. I am constantly searching for ways to coordinate my tour schedule with those of my favorite alternative bands. In other words, I always try to catch cool shows on the road. Suddenly, I stumble upon a copy of your magazine in Oklahoma City, of all places! Can you imagine? Voila! Perfect! I’m hooked. Here’s 20 bucks. Sign me up for a year. Keep up the good work. You can’t know how much you’ve helped me. I’m anxiously awaiting my first issue in the mail." – Rob L, Lawrence, KS
MEMORY 

By the time I had completed issue number three, the production of the zine had become a well-oiled machine and I had developed a sweet monthly routine. 

Week 1 – contact advertisers; coordinate the monthly interview and live show reviewers; get listing info, enter into database. 

Week 2 – more of the same. 

Week 3 – Typeset all articles, graphics, and cover. Go down to Kinko’s or Clean Copy to print out the band listings and everything that I had typeset. Manually paste up all pages per the printer’s specifications. (See “Production” for the full geeky scoop.) 

Week 4 – Drop off at the printer and take 3 days off! Pick up the issues later in the week. Spread them around my living room. Wrap and ship bundles to different record stores around the world. Mail to individual subscribers. 

Rinse and repeat! 

I have strangely fond memories of the all-nighters that I needed to pull the day or two before going to print, laying out the entire issue on paste-up boards. Brian Eno’s “Ambient” albums 1-4 were on regular rotation starting around 2:00 in the morning each time. Sounds like hell now but it was strangely peaceful back then – and enormously satisfying once it was all done.
Previous: RATW Issue 02
Search